P.I.L.O.T.S.
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Dramatic Monologue - Female

Platform

At a glance

  • 1 student per entry
  • Female students only
  • Up to 4 entries per school
  • Time limit: 6 minutes
  • Counts toward a student's 5 performance events
  • A student can't be in two entries of the same event.

Bring on registration day

  • 3 individually stapled, typed copies of the outline, speech, sermon, play or script
  • Labeled with the event, participants and school, in a clear report cover

Dramatic Monologue

A dramatic monologue is a literary work in which the contestant vividly reveals the character of the subject being performed in a monologue addressed to others. The performer assumes the role of one person and by actions and gestures conveys communication expressed, or assumed to be expressed, by another person.

Guidelines:

  • The contestant may choose: historical character(s), Biblical character(s), or fictional character(s).
  • The monologue may be based on how the character(s) may have responded to a particular event or occurrence.
    • A contestant should take on the role of the character and reveal aspects of their character as they speak in the first person.
    • Remember, this is not an expressive reading. Consult the rules from that section when choosing a script to ensure the script is fitting for the chosen category.
  • The contestant is encouraged to wear a costume or garment which helps create a mood. See the Appearance Guidelines for any costume restrictions.
  • Large furniture or sets are not permitted. The contestant may use props or portable items to add to the performance; a chair or other seating is permitted.
  • The monologue must be memorized.
  • The maximum time limit for the performance is six minutes.
  • Males and females will compete separately.
  • For judging criteria, see PF2 (shown on each event's page).

Rules for all Platform events

Students appearing in any platform event should observe these important guidelines. Carelessness in these guidelines could detract from an otherwise excellent presentation.

  • In most categories, males will compete against males and females against females.
  • A student may not use the same entry that they have used at a previous PILOTS.
  • Material should be carefully chosen or written in such a manner that evil characters are not glorified and that the listener would not be forced to dwell on negative or harmful thoughts or ideas.

Introduction of an Entry Before the Judges

  • Contestants in platform presentations are to distinctly give their first and last name, church/school name, and title of presentation (i.e.: "My name is John Doe, and I am from the ABC Christian School. The title of my Famous Speech is...").
  • For entries involving more than one person, a spokesperson should be selected.
  • The introduction will not count as part of the presentation time.

Appearance Guidelines

Appearance guidelines listed at the front of the manual must be followed. Specifics relating to the Platform Competition are below:

  • Boys - A suit or slacks and sport coat, buttoned shirt (tucked in), and tie are required for competition (no blue jeans or tennis shoes unless part of a costume).
  • Girls - Required attire includes a nice church outfit of proper length (not form-fitting), dress shoes, and nylons (no sandals or knee socks unless part of costume).

Platform Requirements

  • Three typed copies of the outline, script, speech, sermon, play, or story including the piece’s title must be brought to PILOTS by the student. All three copies are to be placed in one clear report cover folder; each copy is to be stapled (if multiple pages) and clearly labeled with the contestant's name(s), church/school name, and the category entry type (as well as any additionally requested information within the category) clearly visible on the front of each copy of the performance piece. Copies should be made prior to arrival at PILOTS. The office will not be able to provide copying of materials.
  • All selections/scripts must be memorized with the exceptions of Preaching, Oratory, and Illustrated Storytelling. Contestants in those events may use cards.
  • A student will not be permitted to perform if the material for the event is not presented to the judges prior to the performance.
  • There must be a labeled script, etc., for each platform performance. This script must be neatly typed and easily read. The script should not be handwritten in any way. If the script is incomplete, unclear, or sloppy, the judges will deduct up to ten points.

Tips for Platform Performances

Note: We recommend having each student read this sheet over before preparing for their Platform event.

Being convincing is the key to public speaking. Whatever the presentation, your task is to convince the listener that these are your words, your thoughts, and your feelings. If you are portraying a specific character, you should make the audience believe you really are that person.

Many factors contribute to a convincing performance: costuming and/or props (if allowed), gestures, posture, voice inflection, and emotion. Match each carefully to your script and character. Try to find a balance when using emotions. Too little emotion will appear bland and colorless. Too much emotion will appear harsh, phony, and overbearing. Be careful that your emotion does not detract from clear, crisp, easily-understood diction.

The key: preparation and practice!

Appearance

  • All dummies, puppets, and characters in plays should conform to PILOTS dress standards and hair codes.
  • Exceptions: George Washington in powdered wig or Apostle Paul in robe, etc.

Poise

  • Eye contact - The contestant should establish rapport with the audience by good eye contact. They should avoid looking down often at their notes or Bible, at the ceiling, or out of the window. Their eyes should move up and down, back and forth, over the entire audience, slowly and naturally.
  • Posture and gestures - In order to have good posture, contestants should not slouch. While it is important for the contestant to have good posture, it is equally important that they do not lock their knees. Gestures should be free and flow naturally from enthusiasm. Natural movements are more effective than forced gestures.
  • Delivery - The speaker should project their voice using the diaphragm. Recreate the mood, experience, emotion, and feelings of the author. Employ voice variations and tempo.

Preparation

  • Preparation and study are prerequisites for all speaking, reading, and musical performances.
  • Research, organization, outlining, and familiarity are elements of preparation. Practice in front of a mirror and use every opportunity to perform before others.

Judging form: Platform Monologue & Dialogue

What the judges score, and the points for each.

Judges' instructions

Please refer to the printed judge's guidelines from the PILOTS manual for category requirements. If applicable, as many as 10 points may be subtracted if the performance exceeds the time limit or if the script is sloppy or incomplete.

Mechanics of Presentation 40 pts

  • Physical Appearance & Costume
    10 pts
  • Poise, Self-Confidence, Enthusiasm
    10 pts
  • Posture, Movement, Gestures
    10 pts
  • Voice Quality volume, diction, rate, pitch
    10 pts

Characterizations 60 pts

  • Originality, Creativity
    5 pts
  • Choice of Material worthwhile message
    10 pts
  • Mood Created dramatic quality
    10 pts
  • Eye contact / Audience Rapport
    5 pts
  • Choice of Language, Fluency, Vocabulary
    10 pts
  • Facial Expressions
    10 pts
  • Overall Quality of Characterization difficulty of selection, memory, etc
    10 pts
Total 100 pts